Pinterest Blog… shucks!
18 February 2014
31 January 2014
24 January 2014
I love working with pure gold- not typically used for today's jewellery, being somewhat softer than the lower alloys, but the trick is to make it proportionally hefty, then it is very robust, and… well…
Silver or 18k Horse Pendants can be adopted from
23 January 2014
22 January 2014
7 December 2013
28 November 2013
26 November 2013
1 November 2013
30 October 2013
21 October 2013
"we can no longer marvel at a tube being bent"- well the tube part is straight.
Simple and heavy.
Gold plated bronze.
I first made this in 2009 I think...
but I may start making them again.
16 October 2013
14 October 2013
11 October 2013
10 October 2013
9 October 2013
7 October 2013
The silver version is available in The Golden Smith Shop. US$250
Here is the method:
First, roll out silver to a thin sheet, using rolling mills.
Cut out discs, then petals. I use scissors for this- snips or saw would be too awkward.
Flatten and texturise the flowers on a rough anvil, with an antique hammer.
Scribe lines on petals using a double-pointed tool and on a heavy paper pad to allow the right amount of push-out.
Close-up of said tool. I fashioned this from a broken twist drill and hold it in a pin vice.
Dome the shapes using a wooden punch and matrix.
I dont use steel versions of these tools as these would probably spread the already-thin material.
I also stone-washed (not shown) these components to de-burr the edges.
Little backing cups are made using the same method.
All components, including ear wires are organised for assembly.
The backing cups are soldered to the ear wires. Soldering (not shown) is done under an exhaust hood and I also wear a respirator- to protect myself from potential fume hazards.
The flowers have holes punched through their centres, and are attached to backing-cups with a ball rivet. These rivets are formed from short lengths of wire with little heads melted on each end- and will allow the flowers to move a little.
A hot little flame is needed to quickly melt this rivet-head without heating the adjacent solder join
-which has a lower melting temperature. In other words, if you do this wrong, the whole lot melts together... or falls off!
Repeat. Repeat. Repeat... Repeat!
Bend assemblage into earring configuration, with ear-hooks.
Looking a little grey at this point, I immerse them in a bath of citric acid,
which brings them to a bright colour.
I burnish the ear-hooks to be bright and smooth, and give them a soapy wash.
I may try some similar versions with elements other than flowers?
30 September 2013
A recent commission that I've just completed, for "a pair of hinged earrings with some sort of turquoise element". Ancient Roman earrings were an inspiration. The entire piece is hand-fabricated, meaning that all the pieces are shaped and joined- directly from gold. I cut the stones to an oblate ovoid shape, leaving them slightly irregular and setting them in a rugged bezel (the collar that holds the stone) for that ancient look. Mill-grained edges and contoured hinge-fingers are an echo of the granulation and decorative rolled wire that you might see on ancient gold-work.When you make little gold structures like these, with several elements and features, the construction strategy- that is, the sequence of tasks- becomes increasingly consequential. For example, if you solder a very thin bit of gold onto a hefty one, the thin one can easily melt whilst the hefty one is just getting warm. These kind of problems compound as the all the elements come together. The stone-setting comes almost at the end of the sequence, with the final touch being to make the texture of the gold just right, all over. For me this is a mixture of polishing, burnishing, and stoning- a natural mid-point between high-polish (which the gold won't hold for long, being a soft metal) and matte, (which the gold wont hold for long... being a soft metal!)
Trivia; Turquoise is called that because it was said to be sourced from Turkey.
18 September 2013
Eventually the bread idea was phased out I suppose, because they started making trenchers from wood.
And then the poor ate... cake?
Anyway, I love the circle/ square design- Deiter Rams couldn't have done better.
9 September 2013
4 September 2013
New pendants I made today.
Peas-in-a-pod; perhaps it could mean You and Your Loved Ones
-or maybe you just love peas!
Carnelian, nephrite, lapis lazuli, tourmaline and turquoise peas in silver pods.
You can get these directly from me in The Golden Smith Shop for a limited time.
You could also ask me about custom number/colour combo of peas...